Product and Industrial Designer
Award winning product designer with over 10 years of experience crafting meaningful, impactful, and inclusive products and experiences.
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Six years designing Amazon beauty products: what industrial design looks like at that scale

September 2025

Most people don't think about who designed the eye mask they ordered on Tuesday and received on Thursday. That's not a criticism. It's just the nature of the category. Amazon beauty products exist in a space where convenience dominates, price is visible, and the design of the object itself is rarely what anyone is there to discuss.

That's exactly what makes it interesting to work in.

When everything around a product is commoditised, design becomes the thing that either justifies the purchase or loses it to the listing above. A water purifier, an eye mask, a gel compress. These aren't objects people agonise over. They're practical things bought to solve a problem. But practical doesn't mean the design doesn't matter. It means the design has to work harder with less room to be noticed.

After six years working on the myHalos range, the thing I keep coming back to is how much rigour the category demands precisely because it looks effortless from the outside. Getting a gel mask to sit correctly on a face, hold its temperature for a useful amount of time, feel soft rather than clinical, store without becoming a hygiene problem, and photograph well enough to earn the click, none of that happens by accident. It happens through iterative development, material selection, manufacturing constraints, and a lot of decisions that will never appear in a product description.

The scale of Amazon also sharpens the feedback loop in a way that other contexts don't. Reviews are public, specific, and often brutally honest. Users tell you exactly what failed, in plain language, at volume. That's uncomfortable sometimes. It's also one of the most direct design research tools available. You learn quickly what people actually experience versus what you intended.

Good industrial design in a commoditised space isn't about standing out for the sake of it. It's about making something that does its job so well, and feels so considered in the hand, that the person who bought it comes back. Not because they remembered the brand, necessarily. But because it worked, and that's rarer than it should be.

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